This is the newest version of the first script of The BulletProof Ghost comic series. This version reflects the events and dialogue that took place in the novel. Hopefully you'll want to see it turned into a for-reals comic. I know I do. Updates for a new Kickstarter (yes another one) will come within a month or so. Keep an eye on this blog. Also check BPG out on twitter @thebproofghost,
Facebook and the
Official BulletProof Ghost website.
If you want to buy the novelized version then click
HERE.
The BulletProof Ghost Issue #1
The Trials of Cybernetic Prototype 005
PAGE ONE (8 panels)
Panel
1. The view is from KYLE’S perspective. He is in
DILBANE JUNIOR HIGH SCHOOL. He is approaching the gymnasium.
His vision is a little blurry around the edges. You can’t
see any of KYLE’S body.
1 KYLE (narration box,
different from the later narration box, this is a present tense
thought box of the non-cybernetic version of the character)
I
HAVE TO SEE HER. I’M… PRETTY SURE…
Panel
2. KYLE is looking down. His hands are covered in blood.
1
KYLE (narration box)
I’M PRETTY
SURE I’M GOING TO DIE.
Panel 3. The panel is
black, like KYLE went blind. NO DIALOGUE.
Panel
4. KYLE’S sight is back, but it’s a little blurrier. He
is really close to the push bars on the gym’s doors. He is
reaching for the door with his blood covered hand.
1
KYLE (narration box)
I’M STARTING TO FEEL SLEEPY… I… DAMN IT.
COME
ON, KYLE. I JUST NEED TO SEE HER… BEFORE I
GO…
Panel 5. KYLE is looking at his feet.
There’s blood all over the floor, running down his legs
and
pooling around his shoes.
1 KYLE (narration box)
IS ALL
OF THAT ME? HOLY SHIT…
Panel 6. KYLE is
pushing the door open. The girls’ gym class is in session.
There’s the
teacher and about a dozen girls playing
basketball. IRENE is in the middle of the group on
defense.
They are where DJHS gym clothes (will include visual
reference). NO DIALOGUE.
Panel 7. Everyone looks
at KYLE (aka the reader). They look shocked and unsure of what
to
do. KYLE’S vision is getting blurrier still, mostly
around the edges of the panel.
1 KYLE (narration box)
I MADE IT… I CAN’T BELIEVE… IT…
Panel 8. The
panel is twisted on its side. KYLE is falling, so the view
should reflect that. He
is in mid fall, his legs have
given up and his body has fully gone into shock from blood loss.
1
KYLE (narration box)
SHIT…
PAGE TWO (4 panels)
Panel
1. The panel is black again. No Dialogue.
Panel
2. KYLE’S vision is back, but only the center is clear, everything
else is indecipherable.
He sees IRENE holding him up and
crying. She is hysterical. Her face looks like she is
scared,
worried and panicked. One of her best friends is
bleeding to
death in her arms at the age of 13. Tears
are streaming down her face. There are people in the
blurry
haze standing and watching the scene.
1 KYLE
(narration box)
I CAN’T HEAR HER. I CAN BARELY SEE. I
WISH
SHE LOOKED HAPPIER… BUT… I’M STILL GLAD.
Panel
3. IRENE’S turning her head away while still holding KYLE
while he looks up at her.
She is closing her eyes tight. She
is hyperventilating from the stress.
1 KYLE
I... NEEDED TO SEE YOU. I WANTED TO BE WITH
YOU
WHEN THE END CAME.
Panel 4. The
panel goes black one final time. KYLE has now died. NO
DIALOGUE.
PAGE THREE (1
panel)
TITLE PAGE: The BulletProof Ghost: The Trials
of Cybernetic Prototype 005
Side Note: The Narration
boxes look different from this point in the story. This portion
is being told by KYLE in the future.
Panel 1.
CYBERNETIC PROTOTYPE 005 (KYLE) has SYNTHETIC PROTOTYPE 003'S(SYNTH
3) elbow blade an inch from his helmet as if dodging the strike. The
panel is tight on PROTOTYPE 005’s upper body. His armor is
slightly scratched and scorched.
1 KYLE (narration
box, past tense, telling the story from the future)
I KNEW I
COULD TAKE HIM. I TOOK THE FIRST TWO
SYNTHS
OUT LIKE THEY WERE NOTHING. THIS THIS
THIRD
ONE IS NO DIFFERENT.
PAGE
FOUR (4 panels)
Panel 1. PROTOTYPE FIVE is using his
boosters to hover above the ground while gliding backwards (he’s
leaning backwards). One leg is raised with one of his knees bent. The
Boosters and stabilizers on his body/armor are lit up blue. The
environment is like a forest with trees sparsely spaced out, but the
walls are silver metal with some foliage/moss grow up from the
bottom. There is medium height grass covering the ground with
sections dug out or burnt due to the current fighting.
1
KYLE (narration box.)
MY KINETIC BOOSTERS HAVE COME IN HANDY IN
THESE FIGHTS. MY MOVEMENTS ARE
FLUID WHILE
HOVERING.
Panel 2.
PROTOTYPE FIVE is flying toward the panel/reader in a tight shot that
shows the SYNTH 3 in pursuit. FIVE is still facing the SYNTH
meaning his back is facing the panel..
1 KYLE
(narration box)
AS WELL AS FLYING. SPEEDS APPROACHING AND
ABOVE SOUND. SO SAYS...
Panel
3. WILLIAM is standing with his arms crossed watching the battle from
far away. His black eyes stare past the reader.
1
KYLE (narration box)
WILLIAM. MY SO CALLED CREATOR. I
KNOW BETTER
NOW. I KNOW WHAT KIND OF PERSON HE IS, BUT
THEN I ONLY SUSPECTED.
Panel 4. SYNTH 3 is
striking at PROTOTYPE FIVE with its elbow blade. FIVE is
blocking the strike with his wrist blade. Blue sparks jut out from
the point of impact.
1 KYLE (narration box)
MY REFLEXES
WERE FAST, BUT I WAS BEING WORN DOWN. I FOUGHT TWO
PREVIOUS SYNTHS FOR WILLIAM'S 'TESTS'. THIS ONE WAS
GAINING GROUND DUE TO MY INJURIES.
PAGE FIVE (7
panels)
Panel 1. PROTOTYPE FIVE'S chest section
has a break (damage) in his armor. A wound can be seen through
the armor. It is bleeding.
1 KYLE (narration
box)
THE NANITES, MICROSCOPIC MACHINES, IN MY BLOOD STREAM WERE
RECONSTRUCTING MY BODY AS I WAS INJURED. THEY DRAW OFF MY POWER
SOURCE, THE MORE I FIGHT AND BECOME INJURED, THE SLOWER
THE NANITES WORK AS MY SOURCE IS DRAINED.
Panel
2. Same angle, but the wound is partially healed.
1
KYLE (narration box)
THE SOURCE IS RENEWABLE, BUT ONLY IF I CAN REST.
ONCE IGNITED, MY SOURCE CAN LAST DECADES.
Panel
3. This panel is a side view of the two fighting; still in the
strength contest of wrist blades.
1 KYLE (narration
box)
IT KNEW I WAS WEAK. IT KNEW IF IT COULD BREAK
THE BLOCK AND THROW ME TO THE
GROUND; THE FIGHT WOULD HAVE BEEN DONE. I WOULD THEN BE
KILLED. IF I WERE STUPID ENOUGH TO HAVE KEPT
FIGHTING HIM.
Panel 4. Close up on SYNTH 3
charging its eye laser.
1 KYLE (narration box) I'M
NOT…
CONT.
Panel 5. The panel shows the SYNTH
firing its eye laser, but FIVE angling their blades to intercept the
laser, scattering the beam in a dozen directions. The beam going
back into its eye is three times as thick as the others, signifying
damage.
1 KYLE (narration box)
...STUPID.
Panel
6. The SYNTH is firing blasts wildly as its sensors are scrambled.
1 KYLE (narration box) ITS SENSORS
WERE OVERWHELMED FOR A PRECIOUS MOMENT. THIS WAS MY ONLY
CHANCE
Panel 7. FIVE rushing forward and
slicing the SYNTHS head off. There are energy blasts flying past him.
Give an indication that he is dodging them if possible. NO
DIALOGUE
PAGE SIX (5 panels)
Panel
1. FIVE has the head of the SYNTH impaled on his blade (no longer
glowing so it does slide off due to the kinetic field). FIVE is
showing off a bit.
1 FIVE:
HOW’S
THAT?
Panel 2. WILLIAM is standing with his hands
behind his back walking toward FIVE.
1 WILLIAM:
EXCEPTIONAL.
BETTER THAN THE OTHERS.
Panel 3. Close-up on
WILLIAM’S black eyes.
1 WILLIAM:
THE OTHERS FAILED.
Panel
4. WILLIAM is turned toward a door in the background. FIVE is
walking next to him.
1 WILLIAM:
ONE MORE TEST AND THEN YOUR REAL
TRAINING WILL BEGIN.
Panel 5. Close-up on FIVE’S
helmet.
1 FIVE:
SO YOU’VE SHOWN ME
THE BASICS OF MY NEW POWERS... ERR ENHANCEMENTS... BUT DID YOU
MAKE ME OLDER OR DID THAT MUCH TIME PASS BY?
PAGE
SEVEN (3 panels)
Panel 1. Side view of William with
FIVE next to him. WILLIAM towers over FIVE at about 7 feet
tall.
1 WILLIAM:
WE WENT THROUGH THIS.
2 KYLE YOU TOLD ME THE GENERALITIES
OF ME BEING... ALTERED. I'M CURIOUS ABOUT THE SPECIFICS.
3WILLIAM I BROUGHT YOU HERE 3.5
YEARS AGO. I USED A PROCESS, MOSTLY INVOLVING NANITES TO AGE
YOU 12 YEARS IN 2.5 YEARS. THE CYBERNETICS TOOK A YEAR TO
INSTALL. MANY HAD TO BE IMPLEMENTED BEFORE THE HEALING NANITES,
WHICH REQUIRED HEALING PERIODS. YOU WERE SEDATED AND UNAWARE
THROUGH THE ENTIRE PROCESS. I AWOKE YOU, MUCH TO YOUR
EXPECTED SHOCK AND AM CURRENTLY SUBJECTING YOU TO THESE TRIALS.
OH, AND I INQUIRED WHETHER YOU COULD COMPLETE YOUR
FINAL TEST. YOU AGREED TO YOUR FINAL TEST. IF YOU HAD
NOT, THEN I MIGHT HAVE HAD TO MOVE ON TO CYBERNETIC PROTOTYPE
006."
2 FIVE:
YOU SHOULD
HAVE ASKED ME BEFORE GOING THROUGH ALL OF THAT WORK.
3 WILLIAM I HAVE THE SAME NANITES IN
MY SYSTEM THAT YOU HAVE. I DO NOT AGE. I HAVE BEEN ALIVE FOR
700 YEARS AND THE 3 YEARS I SPENT ON YOU WOULD BE NOTHING
IN MY LIFE. EVERYPROTOTYPE I COMPLETE, I STREAMLINE THE
PROCESS AND BECOME MORE EFFICTIENT. I INNOVATE. IF YOUR
CONVERSION WAS NOTHING MORE THAN LEARNING EXPERIENCE FOR ME,
THEN SO BE IT.
Panel 2. The two are traveling down the
hall to another room. WILLIAM is walking with his hands behind his
back (his touchpad is in one of his hands, but you can't see it).
The hall is silver metal, but with white lit up power
strips/conduits on the walls, ceiling and floor. The angle of the
panel is from the front with both characters in frame.PROTOTYPE FIVE
is hovering above the floor like he is testing out his kinetic
boosters.
1 KYLE:
WHERE DID YOU COME FROM? WHERE DID THIS TECHNOLOGY
COME FROM? WHY DID YOU DO THIS TO ME?
2 WILLIAM I GAVE YOU A NEW LIFE.
3 KYLE I'M GRATEFUL, EVEN THOUGH I
LOOK... DIFFERENT. I DON'T KNOW THE END GAME.
Panel
3. WILLIAM has a semi clear circular tablet in his hand. His
finger is over a red symbol.
1 WILLIAM:
IT ISN'T YOURS TO
KNOW. I CREATED YOU. I CAN SHOW YOU AN END GAME IF YOU WANT.
THE END GAME WHERE I ACTIVATE THE EXPLOSIVE IN THE BASE OF
YOUR FUCKING SPINE.
PAGE EIGHT (3 panels)
Panel
1. KYLE has his hands up in a hold it motion with WILLIAM standing in
frame, towering over KYLE at about seven feet tall.
1
FIVE:
THERE'S NO NEED FOR THAT. I'LL COMPLETE
YOUR TESTS.
2 WILLIAM:
MY PEOPLE EXISTED ON AN ISLAND CONTINENT
OVER FIVE HUNDRED YEARS AGO. WE WERE MORE ADVANCED AT
THAT MOMENT IN TIME THAN YOU ARE NOW. A VIRUS SWEPT OVER OUR
HOME AND I WAS CHARGED TO FIND A SOLUTION. A CURE. A VACCINE.
ANYTHING THAT WOULD SAVE MY PEOPLE I FAILED. WHEN I CAME
OUT OF MY LAB, ALL OF MY PEOPLE WERE DYING OR DEAD. I CURED
THE EARLY STAGES, BUT I WAS TOO LATE.
Panel 2. Close up on WILLIAM'S black
eyes.
WILLIAM: IS THAT WHAT YOU WANTED TO
KNOW?
KYLE: WHERE IS THE ISLAND NOW? IS
THAT WHERE WE ARE?
Panel 3. Biodisia is being slowly
pulled apart by the nanites. This process took decades, so the island
should have the lower half missing, but looking like it’s a gradual
process.
1 WILLIAM: NO, THIS IS A MOBILE,
ARTIFICIAL FORTRESS. THE ISLAND OF BIODISE IS GONE. I USED
NANITES TO PULL MY HOME APART. TO ERASE OUR EXISTENCE FROM
THE KNOWLEDGE OF THE REST OF HUMANITY. UNTIL THE TIME
CAME TO REVEAL MYSELF. THAT TIME IS APPROACHING PROTOTYPE
FIVE. YOU MAY BE A PART OF A BETTER WORLD. NOW COME, YOU MUST
PROVE YOUR WORTHINESS.
PAGE NINE (4
panels)
Panel 1. FIVE and WILLIAM are walking through
the doors into the new room. The view is from the side facing
FIVE. NO DIALOGUE.
Panel 2. FOUR in the middle of the
room with WILLIAM and FIVE approaching him. The view is from
above. FOUR’S kinetic panels are not lit up yet. The
room has a glacier-esque environment in the same vein as the forest
environment of the other room. The bottom is covered in ice,
but the walls are metal with ice climbing its way up about five
feet.
1 WILLIAM:
THIS IS YOUR FINAL TEST.
2 FIVE:
ANOTHER SYNTH? WHAT IS THIS THE FOURTH
ONE?
Panel 3. Close-up on FOUR’S helmet. His
eye lenses are lit up.
1 WILLIAM:
PROTOTYPE 004. KILL
CYBERNETIC PROTOTYPE 005.
Panel 4. FOUR’S
stabilizers and boosters are lit up blue as he rushes forward, flying
just above the ground. NO DIALOGUE.
PAGE
TEN (4 panels)
Panel 1. The view is from above.
WILLIAM is walking backward to avoid getting caught in the
middle. FIVE is on guard with his wrist blade extended.
1
KYLE (narration box)
I HAD A LITTLE REST AT THIS POINT, BUT I WAS
STILL AT BIT OF A DISADVANTAGE. NOT TO MENTION THE
MORE SEVERE DAMAGE TO MY SYNTHETIC SYSTEMS HAD TO BE
REPAIRED.
Panel 2. FOUR’S wrist blades are extended
at this point and swiping at FIVE with his left hand. FIVE is dodging
backward to avoid the attack.
1 KYLE (narration box)
I
BEGAN TO REALIZE THAT THIS SYNTH WAS SMARTER THAN THE OTHERS.
HE HAD NO PATTERN TO HIS ATTACKS AND MOVEMENT.
Panel
3. FIVE is punching FOUR with his right hand (organic) in the
chest. FOUR is falling back with the blow. NO
DIALOGUE.
Panel 4. FIVE is flying up into the air with
his boosters and stabilizers lit up. FIVE has his energy blaster
raised up and is aiming it at FOUR.
1 KYLE(narration
box)
I NEEDED TO GAIN AN ADVANTAGE AND QUICK. TAKING TO
THE AIR SEEMED LIKE A GOOD IDEA AT THE TIME.
PAGE ELEVEN (3 panels)
Panel
1. FIVE is firing a blue kinetic blast (which looks like ball of blue
light, think photon torpedoes in Star Trek); the view is from the
side with the light illuminating things around FIVE.
1
KYLE (narration box)
KINETIC BLAST.
Panel 2. FOUR is
dodging the blast with the blast sparking up the floor as it
hits.
1 KYLE (narration box) I
MISSED. OF COURSE.
Panel 3. FIVE is blocking a
swipe FOUR had made at his head with his own wrist blade. Sparks
fly as the two blades meet, but not from the metal. The two blades
are surrounded in a kinetic field (kinetic energy is the energy of
motion, so a force is emanated out from the blades when they are lit
up blue). The two are suspended in mid air. NO
DIALOGUE.
PAGE
TWELVE (5 panels)
Panel 1. Close-up on FIVE’s
right hand grabbing FOUR’s left hand.
1 KYLE
(narration box)
I WASN’T GIVING UP.
Panel 2. FIVE
pulls FOUR into to head butt his helmet. This dents both
helmets and cracks FOUR’S left eye piece. NO DIALOGUE
Panel
3. FIVE turns off his boosters and is below FOUR. The view is
from the side. FIVE is aiming his energy blaster. NO
DIALOGUE
Panel 4. FOUR has both of his hands
held up. Two energy blasters have popped up out of the top of
his wrists. They are both firing red energy blasts.
1
KYLE (narration box)
HEAT BLASTS. THEY TAKE A BIT OF TIME TO
CHARGE UP, BUT IF I GAVE IT LONG ENOUGH… IT’LL BUILD
UP ENOUGH POWER TO MELT A HOLE RIGHT THROUGH ME.
Panel
5. FIVE is taking a heat blast in the shoulder, while dodging
the other one. The section
that’s hit is melted
somewhat, like the blast heated up the surface, but couldn’t pierce
all of the
way through.
1 KYLE
WHOA!
I NEED TO END THIS…
PAGE
THIRTEEN (2 panels)
Panel 1. The angle is so
KYLE’S blaster is facing into the panel. Orange light is
coming out of the blaster. FIVE is using his right arm to
stabilize his blasting arm.
1 KYLE (narration box)
I WAS
GOING TO DESTROY IT. I WOULDN’T LET IT KILL ME AFTER I
WAS BROUGHT BACK. I WASN’T GOING TO DIE AGAIN.
Panel
2. The view is from behind FOUR. FOUR is crossing his arms to
block the blast he couldn’t avoid. An orange energy explosion
is pushing him back with FIVE still aiming at him in the background.
NO DIALOGUE.
PAGE
FOURTEEN (2 panels)
Panel 1. FIVE is on the
ground now looking up at the damaged FOUR. FOUR is in the
distance, but is smoking from the previous attack. FOUR’S
armor is damaged. The stabilizer panels on his left shoulder
and right arm are cracked, but still glowing and at least partially
operational. FOUR is on one knee as he lands.
1 KYLE
(narration box)
I KNEW THAT THESE LOW LEVEL EXPLOSIVE BLASTS
WEREN’T GOING TO GET THE JOB DONE.
Panel 2.
FOUR lands on his feet. The view is from the front with a
closer look at the damage he took from the explosive blast. There
are some scorched sections and dents on top of the cracked panels and
eye lens.
1 KYLE (narration box)
ALL OR
NOTHING.
PAGE FIFTEEN (2 panels)
Panel
1. Close-up on FIVE’S blaster with an orange glow coming out of it
If you haven’t noticed each type of energy blast has a unique
color. NO DIALOGUE.
Panel 2. FIVE and FOUR
are running at each other. The view is from the side. FIVE
has his bladed hand up in the defense position. FOUR’S hands
are behind him as he sprints. FOUR’S wrist blades are fully
extended.
1 KYLE(narration box)
I KNEW THAT THIS WAS
RECKLESS. THAT I SHOULD HAVE TRIED TO KEEP MY DISTANCE,
BUT I NEEDED FOUR TO NOT BE EXPECTING MY NEXT MOVE. KEEP
HIM GUESSING.
PAGE
SIXTEEN (3 panels)
Panel 1. FOUR is throwing an
overhead downward arching roundhouse while FIVE ducks it. NO
DIALOGUE.
Panel 2. FIVE is kicking FOUR’S
ankles out from under him. NO DIALOGUE.
Panel 3.
FOUR brings his wrist blades down to the ground to try to impale
FIVE. FOUR’S right wrist blade punctures FIVE’S left
shoulder. Blood is coming out of the wound. The right
hand (KYLE’S left) is being held at the wrist to keep the blade
from stabbing FIVE’S face. There is a scratch down the front of the
mask ending at the tip of the blade. NO
DIALOGUE.
PAGE
SEVENTEEN (7 panels)
Panel 1. The view is
from the side. The situation is the same as before, except that
FIVE’S other hand has his wrist blade retracted and the blaster
extended. The energy blaster is pointed at FOUR’S head.
1
KYLE (narration box)
HE NEEDED TO THINK HE WAS WINNING. THAT HE
WAS GOING TO KILL ME WITHOUT A DOUBT.
Panel 2.
FOUR is moving to the side dodging FIVE's blast. The
blade that had punctured FIVE'S shoulder is being pulled out. An arc
of blood is trailing out of the wound.
1 KYLE (narration
box)
DAMN IT HE'S FAST!
Panel 3. FOUR is pulling his left hand back
to stab FIVE one final time.
1 KYLE (narration box)
THIS IS MY LAST
CHANCE.
Panel 4. Close up on FIVE'S mask. His eye
lenses are lit up orange instead of blue.
Panel 5. The explosive blast is
ricocheting off of a glacier behind them, sending itself back towards
the two fighters. NO DIALOGUE
Panel 6. The view is
from the side, FIVE is holding FOURS hand to keep it from stabbing
him. The orange blast is about five feet away from FOUR'S back.
1
KYLE
I JUST HOPE THIS DOESN'T KILL US BOTH. DETONATE!
Panel 7. Two silhouettes can be seen
inside of an orange explosion. NO DIALOGUE
PAGE
EIGHTEEN (5 panels)
Panel 1. FIVE is on his back
smoking, but sitting up slightly. Ice chunks are falling all
around and the ground is melted and cracked around FIVE. FIVE'S
mask is charred and dented; one half of one of the lenses is missing.
FIVE'S white, pupil-less eye can be seen through the hole.
FOUR is lying on top of FIVE. FOUR'S face is resting on
FIVE's shoulder. Just from FOUR'S back, you can tell that FOUR took
85% of the blast, basically acting as FIVE'S shield. NO
DIALOGUE.
Panel 2. FIVE is pushing FOUR off of the top
of him. FIVE is not looking at FOUR. He doesn't notice
the missing lense in his helmet yet. The reader cannot see the
front of FOUR'S mask.
1 KYLE
GET OFF ME,
ROBO-JERK.
Panel 3. FIVE is getting up. He
is on one knee and is using his fist to prop himself up. Some
of the mesh from his right arm has become disconnected from the armor
and is hanging freely (this is also true for his helmet). This
exposes portions of his organic arm. FIVE’S right eye lens is
cracked as well as some of his stabilizer circles/panels. His
is scorched and looks to have trouble forcing himself to his
feet.
Panel 4. FIVE is removing his helmet while
standing up. The parts of the mesh are hanging off of the mask,
these portions do not retract into the mask. The undamaged
portions are pulling themselves into the mask (molecular compression
is the term). This exposes parts of FIVE/KYLE'S head. His skin
is pale and cybernetic components are attached to parts of his face.
His hair is white and frazzled.
Panel 5. KYLE/FIVE is dropping
his mask and looking slightly into the distance (not directly at the
reader). He has blood tricking out of the corner of his mouth
and out of his left nostril.
1 KYLE
WELL THIS IS
TRASHED.
PAGE
NINETEEN (2 panels)
Panel 1. FIVE is on his feet
walking toward FOUR’S body. FIVE’S wrist blade is not extended.
What can be seen of FOUR is far worse than FIVE’S damage.
None of his kinetic panels are lit up, most are cracked. Parts
of his armor are littered around his body. None of his skin is
exposed to keep the surprise of the last panel. NO
DIALOGUE.
Panel 2. FIVE has his wrist blade extended.
The panel shows the front of FIVE’S armor from the waist up.
FIVE’S left arm is bent so the wrist blade is in view.
1
KYLE (narration box)
THAT’S WHEN I NOTICED IT. THAT’S WHEN
I NOTICED ITS EYE LENS WAS SHATTERED IN THE
BLAST.
PAGE TWENTY (1 panel)
Panel
1. Close-up on FOUR’S mask. A human eye could be seen through
the lens looking at FIVE.
1 KYLE (narration box)
THERE WAS A MAN INSIDE THERE. HE WASN’T A SYNTH.
HE WAS LIKE ME.
