Sunday, July 28, 2013

BPG Original Linear Issue #3


PAGE ONE (1 panel)

 

Panel 1. CYBERNETIC PROTOTYPE 005 has SYNTHETIC PROTOTYPE 003'S(SYNTH 3) wrist blade an inch from his helmet as if dodging the strike.  The panel is tight on PROTOTYPE 005’s upper body.  His armor is slightly scratched and scorched.

 

1 KYLE (narration box)                     I KNEW I COULD TAKE HIM.  I TOOK THE FIRST TWO SYNTHS OUT  LIKE THEY WERE NOTHING.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE TWO (4 panels)

 

Panel 1. PROTOTYPE FIVE is using his boosters to hover above the ground while gliding backwards. One leg is raised with one of his knees bent. The Boosters and stabilizers on his body/armor are shining blue light.  The environment is like a forest with trees sparsely spaced out, but the walls are silver metal. There is medium height grass covering the ground with section dug out or burnt due to the current fighting.

 

1 KYLE (narration box)                     MY KINETIC BOOSTERS HAVE COME IN HANDY IN THESE FIGHTS.  MY MOVEMENTS ARE FLUID WHILE HOVERING. 

 

Panel 2. PROTOTYPE FIVE is flying toward the panel/reader in a tight shot that shows the SYNTH 3 in pursuit.  FIVE is still facing the SYNTH meaning his back is facing the panel..

 

1 KYLE (narration box)                     AS WELL AS FLYING.  SPEEDS APPROACHING OR ABOVE SOUND.  SO SAYS...

 

Panel 3. WILLIAM is standing with his arms crossed watching the battle from far away.

 

1 KYLE (narration box)                     WILLIAM.  MY SO CALLED CREATOR.  I KNOW BETTER NOW.  I KNOW WHAT KIND OF PERSON HE IS NOW, BUT THEN I ONLY SUSPECTED.

 

Panel 4.  SYNTH 3 is striking at PROTOTYPE FIVE with its wrist blade.  FIVE is blocking the strike with his wrist blade. 

 

1 KYLE (narration box)                     MY REFLEXES WERE FAST, BUT I WAS BEING WORN DOWN.  I FOUGHT TWO PREVIOUS SYNTHETIC PROTOTYPES FOR WILLIAM'S 'TESTS'.  THIS ONE WAS GAINING GROUND DUE TO MY INJURIES.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE THREE (6 panels)

 

Panel 1.  PROTOTYPE FIVE'S shoulder has a break (damage) in his armor.  A wound can be seen through the armor.  It is bleeding.

 

1 KYLE (narration box)                     THE NANITES, MICROSCOPIC MACHINES, IN MY BLOOD STREAM WERE RECONSTRUCTING MY BODY AS I WAS INJURED.  THOUGH THEY DRAW OFF MY POWER SOURCE, THE MORE I FIGHT AND BECOME INJURED, THE SLOWER THE NANITES WORK AS MY SOURCE IS DRAINED.

 

Panel 2. Same angle, but the wound is partially healed.

 

1 KYLE (narration box)                     THE SOURCE IS RENEWABLE, BUT ONLY IF I CAN REST.

 

Panel 3. This panel is a side view of the two fighting; still in the strength contest of wrist blades. 

 

1 KYLE (narration box)                     IT KNEW I WAS WEAK.  IT KNEW IF IT COULD BREAK THE BLOCK AND THROW ME TO THE GROUND; THE FIGHT WOULD HAVE BEEN DONE.  I WOULD THEN BE KILLED.  IF I WERE STUPID ENOUGH TO HAVE KEPT FIGHTING HIM.

 

Panel 4. Close up on PROTOTYPE FIVE blocking the strike still.

 

1 KYLE (narration box) I'M NOT…

 

Panel 5. FIVE'S energy blaster pops out of the side of his forearm.  Red light can be seen from the inside of the barrel.

 

1 KYLE (narration box)                     ...STUPID.

 

Panel 6. The SYNTH'S head explodes as a blasting affect comes out of the energy blaster. FIVE looks a little off balance due to the blast (like he’s being pushed back).  NO DIALOGUE.

 

 

 

PAGE FOUR (5 panels)

 

Panel 1. FIVE is walking away with the smoking, falling, headless body of SYNTH THREE in the background.

 

1 FIVE:                                                           HOW’S THAT?

 

Panel 2. WILLIAM is standing with his hands behind his back walking toward FIVE. 

 

1 WILLIAM:                                      EXCEPTIONAL.  BETTER THAN THE OTHERS.

 

Panel 3. Close-up on WILLIAM’S black eyes.

 

1 WILLIAM:                                      THE OTHERS FAILED.

 

Panel 4. WILLIAM is turned toward a door in the background.  FIVE is walking next to him.

 

1 WILLIAM:                                      ONE MORE TEST AND THEN YOUR REAL TRAINING WILL BEGIN.

 

Panel 5. Close-up on FIVE’S helmet. 

 

1 FIVE:                                               SO YOU’VE TOLD ME OF WHAT I CAN DO AND HOW I GOT THIS WAY, BUT WHAT’S YOUR STORY.  WHERE DID YOU GET THIS TECHNOLOGY?  I MEAN I’M SIXTEEN, I THINK, AND I LOOK 25 UNDER THIS ARMOR (THE LAST THING I REMEMBER WAS BEING 13).  WHERE AM I?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE FIVE (6 panels)

 

Panel 1. Side view of William with FIVE next to him.  WILLIAM towers over FIVE.

 

1 WILLIAM:                                      MY PEOPLE LIVED ON AN ISLAND CONTINENT SEVEN HUNDRED YEARS AGO.  OUR TECHNOLOGY WAS MORE ADVANCED THAN YOUR PEOPLE’S TECHNOLOGY AT THIS MOMENT, A THOUSAND YEARS AGO.  I’VE USED THIS TECHNOLOGY TO STAY YOUNG.  THE SAME NANITES THAT HEAL YOUR WOUNDS AND KEEP YOUR SYNTHETIC SYSTEMS IN SYNCH WITH YOUR ORGANIC ARE THE ONES IN MY BLOODSTREAM.

 

2 FIVE:                                               THEN WHERE IS THE EVIDENCE OF THIS CIVILIZATION?  I WASN’T GREAT AT HISTORY, BUT I THINK I WOULD HAVE REMEMBERED SOMETHING ABOUT THAT.

 

Panel 2. The two are walking down the hall to another room. The hall is silver metal and very bland. The angle of the panel is from the front with both characters in frame.

 

1 WILLIAM:                                      WE WERE ISOLATIONISTS.  WE WERE AFRAID OF THE PRIMITIVE OUTERWORLD.  THE CONTINENT IN THE PACIFIC OCEAN WAS A FOURTH OF THE SIZE OF AUSTRALIA. 

 

Panel 3.  Close-up on WILLIAM.

 

1 WILLIAM:                                      A VIRUS SWEPT THROUGH MY HOME.  IT KILLED MOST OF THE POPULATION WHILST I WORKED ON A CURE.  BY THE TIME I CAME OUT OF MY LAB ALL WERE DEAD OR TO FAR ALONG TO SAVE.  I WAS SAVED BY STAYING IN MY LAB FOR WEEKS ON END. 

 

Panel 4. Side view of FIVE’S helmet.

 

1 FIVE:                                               WHERE IS THE ISLAND NOW?

 

2 WILLIAM:                                      I DISINTEGRATED IT SEVEN HUNDRED YEARS AGO WITH A STRAIN OF NANITES.  I SIMULTANEOUSLY WORKED ON A MOBILE ARTIFICIAL ISLAND COMPLEX IN THE ANTARCTIC WHERE WE ARE NOW. I BUILT A HOVER TRANSPORT TO GO IN BETWEEN THE TWO LOCATIONS. 

(more)

 

 

 

Panel 5.  The view is from the back of the two characters as they face a set of dual doors.

 

1 WILLIAM:                                      I USED THE LAST BATCH OF NANITES TO DISINTEGRATE WHERE MY HOUSE WAS AS I LEFT FOR MY NEW HOME.  A MASKING DEVICE KEEPS ME HIDDEN FROM PRYING EYES AND THE ABILITY TO MOVE THE ISLAND COMES IN HANDY AS WELL.  ALL EVIDENCE IS EITHER PULLED APART AT THE MOLECULAR LEVEL OR AT THE BOTTOM OF THE OCEAN.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE SIX (4 panels)

 

Panel 1. FIVE and WILLIAM are walking through the doors into the new room.  The view is from the side facing FIVE. NO DIALOGUE.

 

Panel 2. FOUR in the middle of the room with WILLIAM and FIVE approaching him.  The view is from above.

 

1 WILLIAM:                                      THIS IS YOUR FINAL TEST.

 

2 FIVE:                                               ANOTHER SYNTH?  WHAT IS THIS THE FOURTH ONE?

 

Panel 3. Close-up on FOUR’S helmet.

 

1 WILLIAM:                                      PROTOTYPE 004.  KILL CYBERNETIC PROTOTYPE 005.

 

Panel 4. FOUR’S stabilizers and boosters are lit up blue as he rushes forward, flying just above the ground.   NO DIALOGUE.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE SEVEN (4 panels)

 

Panel 1. The view is from above.  WILLIAM is walking backward to avoid getting caught in the middle.  FIVE is on guard with his wrist blade extended. 

 

1 KYLE (narration box)                     I HAD A LITTLE REST AT THIS POINT, BUT I WAS STILL AT BIT OF A DISADVANTAGE.

 

Panel 2. FOUR’S wrist blades are extended at this point and swiping at FIVE with his left hand.  FIVE is dodging backward to avoid the attack.

 

1 KYLE (narration box)                     I BEGAN TO REALIZE THAT THIS SYNTH WAS SMARTER THAN THE OTHERS.  HE HAD NO PATTERN TO HIS ATTACKS AND MOVEMENT.

 

Panel 3.  FIVE is punching FOUR with his right hand in the chest.  FOUR is falling back with the blow.  NO DIALOGUE.

 

Panel 4. FIVE is flying up into the air with his boosters and stabilizers lit up. FIVE has his energy blaster raised up and is aiming it at FOUR.

 

1 KYLE(narration box)                      I NEED TO GAIN AN ADVANTAGE AND QUICK.  TAKING TO THE AIR SEEMED LIKE A GOOD IDEA AT THE TIME.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE EIGHT (3 panels)

 

Panel 1. FIVE is firing a blue kinetic blast (which looks like ball of light, think photon torpedoes in Star Trek); the view is from the side with the light illuminating things around FIVE. 

 

1 KYLE (narration box)                     KINETIC BLAST.

 

Panel 2. FOUR is dodging the blast with the blast sparking up the floor as it hits. 

 

1 KYLE (narration box)                     I MISSED.  OF COURSE.

 

Panel 3. FIVE is blocking a swipe FOUR had made at his head with his own wrist blade.  Sparks fly as the two blades meet. The two are suspended in mid air. NO DIALOGUE.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE NINE (3 panels)

 

Panel 1. Close-up on FIVE’s right hand grabbing FOUR’s left hand.

 

1 KYLE (narration box)                     I WASN’T GIVING UP.

 

Panel 2. FIVE pulls FOUR into to head butt his helmet.  This dents both helmets and cracks FOUR’S left eye piece. NO DIALOGUE

 

Panel 3. FIVE turns off his boosters and is below FOUR.  The view is from the side.  He is aiming his energy blaster.  NO DIALOGUE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE TEN (two panels)

 

Panel 1. The angle is so the blaster is facing into the panel.  Red light is coming out of the blaster.  FIVE is using his right arm to stabilize his blasting arm.

 

1 KYLE (narration box)                     I WAS GOING TO DESTROY IT.  I WOULDN’T LET IT KILL ME WHEN I WAS BROUGHT BACK.  I WASN’T GOING TO DIE AGAIN.

 

Panel 2. The view is from behind FOUR.  FOUR is crossing his arms to block the blast he couldn’t avoid.  Red energy explosion is pushing him back with FIVE shooting him in the background.  NO DIALOGUE.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE ELEVEN (two panels)

 

Panel 1. FIVE is on the ground now looking up at the damaged FOUR.  FOUR is in the distance, but is smoking from the previous attack.  FIVE is on one knee as he lands. 

 

1 KYLE (narration box)                     I KNEW THAT THESE LOW LEVEL BLASTS WEREN’T GOING TO GET THE JOB DONE.

 

Panel 2. FOUR lands on his feet.  FOUR has burn marks and dents on his armor. 

 

KYLE (narration box)                        ALL OR NOTHING.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE TWELVE (two panels)

 

Panel 1. Close-up on FIVE’S blaster with a red glow coming out of it.  NO DIALOGUE.

 

Panel 2.  FIVE and FOUR are running at each other.  The view is from the side.  FIVE has his bladed hand up in the defense position.  FOUR’S hands are behind him as he sprints.

 

1 KYLE(narration box)                      I KNEW THAT THIS WAS RECKLESS.  THAT I SHOULD HAVE TRIED TO KEEP MY DISTANCE, BUT I NEEDED FOUR TO NOT BE EXPECTING MY NEXT MOVE.  KEEP HIM GUESSING.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE THIRTEEN (three panels)

 

Panel 1. FOUR is throwing an overhead forward arching roundhouse while FIVE ducks it.  NO DIALOGUE.

 

Panel 2.  FIVE is kicking FOUR’S ankles out from under him.  NO DIALOGUE.

 

Panel 3. FOUR brings his wrist blades down to the ground to try to impale FIVE.  FOUR’S right wrist blade punctures FIVE’S shoulder.  Blood is coming out of the wound.  The left hand is being held at the wrist to keep the blade from stabbing FIVE’S face as well.  There is a scratch down the front of the mask ending at the tip of the blade.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE FOURTEEN (2 panels)

 

Panel 1.  The view is from the side.  The situation is the same as before, except that FIVE’S other hand has his wrist blade retracted and the blaster extended.  The energy blaster is pointed at FOUR’S stomach

 

1 KYLE (narration box)                     HE NEEDED TO THINK HE WAS WINNING.  THAT HE WAS GOING TO KILL ME WITHOUT A DOUBT.

 

Panel 2.  The same view, but an explosion is in between the two, separating them.

 

1 KYLE (narration box)                     I WAS HOPING IT WOULDN’T KILL BOTH OF US.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE FIFTEEN (3 panels)

 

Panel 1. FIVE is on his back smoking, but sitting up slightly. NO DIALOGUE.

 

Panel 2. FOUR lands in the background on his back. FIVE is still in the foreground turning his head in FOUR’S direction. NO DIALOGUE.

 

Panel 3.  FIVE is getting up.  He is on one knee and is using his fist to prop himself up.

 

1 KYLE (narration box)                     I DIDN’T BUILD UP THE ENERGY BLAST LONG ENOUGH TO FINISH THE JOB.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAGE SIXTEEN (2 panels)

 

Panel 1. Same view as the previous panel, but FIVE is on his feet walking toward FOUR’S body. FIVE’S wrist blade is not extended.  NO DIALOGUE.

 

Panel 2. FIVE has his wrist blade extended.  The panel shows the front of FIVE’S armor from the waist up.  FIVE’S left arm is bent so the wrist blade is in view.

 

1 KYLE (narration box)                     THAT’S WHEN I NOTICED IT.  THAT’S WHEN I NOTICED ITS EYE LENS WAS SHATTERED IN THE BLAST.

 

PAGE SEVENTEEN (1 panel)

 

Panel 1. Close-up on FOUR’S mask.  A human eye could be seen through the lens looking at FIVE.

 

1 KYLE (narration box)                     THERE WAS A MAN INSIDE THERE.  HE WASN’T A SYNTHETIC PROTOTYPE.  HE WAS LIKE ME.

 

 

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